All of Tokyo calls Keiko "Mama." She is a 30-year-old widowed Ginza hostesses. She explains the cyclical nature of life, which includes being cheery around drunks, clothing and living well to appear confident, and needing money to support her demanding mother and brother. There are three options she has to make at this point in her life, all of which are unpleasant because of her tarnished profession: marry, be kept, or open her own bar. Investors may demand a return on their loans on any route. Men are drawn to Keiko because of her peaceful dignity, but are these men who they seem to be? What options does she have?
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All of Tokyo calls Keiko "Mama." She is a 30-year-old widowed Ginza hostesses. She explains the cyclical nature of life, which includes being cheery around drunks, clothing and living well to appear confident, and needing money to support her demanding mother and brother. There are three options she has to make at this point in her life, all of which are unpleasant because of her tarnished profession: marry, be kept, or open her own bar. Investors may demand a return on their loans on any route. Men are drawn to Keiko because of her peaceful dignity, but are these men who they seem to be? What options does she have?
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