Interviews with widows of mariners serve as the foundation for a fluid narrative that moves between the poles of faraway love, phony opulence, and colonial artifacts. The film, which was shot on 36-hour ferry trips between Rotterdam and Hull and Kiel and Oslo, draws a connection between the ship as the largest arsenal of imagination and the cinema's nautic realm.
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Interviews with widows of mariners serve as the foundation for a fluid narrative that moves between the poles of faraway love, phony opulence, and colonial artifacts. The film, which was shot on 36-hour ferry trips between Rotterdam and Hull and Kiel and Oslo, draws a connection between the ship as the largest arsenal of imagination and the cinema's nautic realm.
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