Trevor is currently 'between employment.' He spends his days evading his nagging cow of a wife by hiding out in his allotment shed, painting figures for his wargames with his agoraphobic friend, Graham, and fantasizing about his heroic alter-ego, battle magician Casimir the Destroyer. When one of the other allotment renters, Mr Parsons, petitions to have Trevor removed from his disgrace of a plot (he's not there to grow stuff!), an argument erupts, leaving Trevor with a corpse to hide. Unfortunately, Trevor's misfortune coincides with the zombie apocalypse, and Mr Parsons' return is only the beginning of his woes. More pressing is whether he should try to save his wife and her lovely best friend, whom both he and Graham have feelings for.
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Trevor is currently 'between employment.' He spends his days evading his nagging cow of a wife by hiding out in his allotment shed, painting figures for his wargames with his agoraphobic friend, Graham, and fantasizing about his heroic alter-ego, battle magician Casimir the Destroyer. When one of the other allotment renters, Mr Parsons, petitions to have Trevor removed from his disgrace of a plot (he's not there to grow stuff!), an argument erupts, leaving Trevor with a corpse to hide. Unfortunately, Trevor's misfortune coincides with the zombie apocalypse, and Mr Parsons' return is only the beginning of his woes. More pressing is whether he should try to save his wife and her lovely best friend, whom both he and Graham have feelings for.
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